We are sorry that this post was not useful for you! Recording Engineer: Rainer HoepfnerStudio Personnel, Mixer: Stephan FlockComposer: Wolfgang Amadeus MozartAuto-generated by YouTube. Andante cantabile" and more. Reviewed in the United States on February 16, 2014. We don’t know for what occasion, and for whom Mozart wrote these concertos. 31," of Henri Vieuxtemps is explained by Hahn as personal: she learned both works early in her education. The Mozart Violin Concerto No. Duration: 12’07”; 1/8 = 48Zukerman’s tone sounds rather sharp, maybe a little aggressive at times even. One example: the staccati around bar 80 are clearly portato. Price: $16.98 FREE Shipping on your first order. Mozart: Violin Concerto No.3 in G, K.216; Violin Concerto No.5 in A, K.219, Pinchas Zukerman / Saint Paul Chamber Orchestra, CBS Records MYK 42612 (CD, stereo); ℗ 1982 / © 1987Booklet: 7 pp. Sold by Ficks Music and ships from Amazon Fulfillment. For the general impression see above. Details & FREE Returns Return this item for free. The tone in the solo part is nicer, and Joachim’s cadenza again is an excellent fit. 2017 Preview Editors’ Notes Dutch violinist Noa Wildschut makes her recorded debut with exactly the same violin concerto, Mozart’s Fifth, that launched her mentor Anne-Sophie Mutter’s career. The “Neue Mozart Ausgabe” indicates that the fermata in bar 45 is to be “ornamented”, i.e., filled with a short cadenza. The Violin Concerto No. The idea must have been that the concert master is playing the solo. Rating criteria, scale(s) and detail, how one should / should not read my ratings, their "value", pitfalls, shortcomings & limitations. The tempo is moderate, the articulation is rather broad, both in the orchestra as well as in the solo part. 128 bars, no repeatsThe slow movement is in 2/4 time, i.e., in two beats per bar. Overall Duration: 31’29”Rating (see above for details): 2.7 (3 / 2 / 3) — Certainly not a CD that I would choose to buy, but OK as a traditional recording. As this is in German, I have written up a separate, more extended review in the posting “Norrington & Arabella Steinbacher in Zurich, 2015-03-28“. Both interpretations below are non-HIP, i.e., traditional. Duration: 9’58”; 1/4 = 124 — 1/8 = 46A traditional recording in all aspects. Listen to Mozart: Violin Concertos Nos. It ends in a fermata in bar 262, where a cadenza leads back to the Tempo di Menuetto / Rondeau: As in the initial Menuetto segment, the solo has the opportunity to play another short cadenza when the ritornello returns in bar 320. The violin concertos K. 211, 216, 218 and 219 were all composed within a few months, between June and December 1775, while Mozart was in the employ of the Archbishop of Salzburg. 5/Vieuxtemps: Violin Concerto No. In my LP collection (somewhere in the basement, unplayed for at least 30 years), I have the recordings with, In addition, I have several LPs with individual Mozart concertos, the concerto in A K.219 is present with, These are all recordings with their definitive merits, but I doubt that from today’s (HIP) perspective it makes sense to have that many non-HIP versions, let alone on top of the two listed above, that I already have on CD now. 5 in A Major, K. 219, "Turkish" Violin Concerto No. Menuhin comes from an even older school, so one cannot expect a historically informed performance. 5 is not likely to satisfy listeners more accustomed to modern performance practices and stylistic approaches to Mozart.The violinist's playing is quite heavy, the vibrato is thick and wide, and the interpretation is rather romanticized. If playback doesn't begin shortly, try restarting your device. 31, of Henri Vieuxtemps is explained by Hahn as personal: she learned both works early in her education. Zukerman recorded this concerto in 1982. However, there is a popular set of cadenzas by Joseph Joachim (1831 – 1907) which many artists choose to play. The new pairing on this "The Originals" release is Mozart's Turkish Concerto (VC No. And one can feel this in his playing. 3 recorded at the same December, 1984 session as #2 above, along with Violin Concerto No. It starts with the soloist introducing the Rondo theme:The soloist has the opportunity for two short cadenzas (bars 58 and 109), each leading back into the Rondo theme. 4 in D Major, K. 218: I. Allegro", "Violin Concerto No. Ships from and sold by Mega-Movie-Deals. As already in the first movement, the cadenza (presumably Zukerman’s own) is no more than a moderate fit to the movement. Violinist Gidon Kremer joined Nikolaus Harnoncourt and the Vienna Philharmonic Orchestra for a series of recording sessions beginning in October 1983, in Vienna. 5 in A major, K. 219," with the little-known "Violin Concerto No. As mentioned above, Mozart’s Symphony in C, K.551 was featured in a concert at the Tonhalle in Zurich, on 2015-03-28, with Sir Roger Norrington and the Zurich Chamber Orchestra. 5 In A, 2nd Movement chất lượng cao 320 kbps lossless miễn phí. I assume he is playing the “Dushkin” Guarnerius del Gesù violin of 1742. Rondeau: Tempo di Menuetto: 131 bars, no repeats — Allegro: 33 + 8 + 8 + 8 + 73 bars, parts 2 – 4 repeated — Tempo di Menuetto: 88 bars, no repeatsThe last movement is a Rondo in Tempo di Menuetto. Nghe bài hát Violin Concerto No. 4 in D Major, K. 218: II. At the same time it retains popular musical elements. In bar 131, the first section ends with a pause / fermata. 3, K. 216, D major No. This precludes an extremely slow tempo: The score asks for a solo cadenza in bar 125. Viola player Kim Kashkashian also joined … Joachim did not write a cadenza for bar 45. 5 in a, 2nd movement - Mozart ngay trên Nhaccuatui. Stream songs including "Violin Concerto No. 5 in A major, K219 'Turkish' by Wolfgang Amadeus Mozart (1756-91). Mozart: Violin Concerto No. I assume that for the first two movements he is playing his own cadenzas. It begins with a repeat of the introduction, this time as accompaniment to the solo part: The Adagio part does not return, but in bar 219, the soloist has the opportunity for a big cadenza. Find helpful customer reviews and review ratings for Mozart: Violin Concerto No. But that is not overly conspicuous. Bài hát violin concerto no. Free returns are available for the shipping address you chose. Especially in his Violin Concerto No. Read honest and unbiased product reviews from our users. All violin concertos are joyful compositions. This item: Mozart: Violin Concerto No. I doubt that I would have purchased it otherwise. Still, back in my LP days, in my own view, Pinchas Zukerman (*1948) enjoyed a good reputation, both as a soloist, as well as for his cooperation in chamber music ensembles. 5 in A Major, K. 219, "Turkish": I. Allegro aperto - Adagio - Allegro aperto By Wolfgang Amadeus MozartArabella Steinbacher, Lucerne Festival Strings, Daniel Dodds 7 Repin plays Joseph Joachim’s big, excellent cadenza. https://www.rolf-musicblog.net/ratings-concerts-vs-media-reviews/, Concert review, ★★★★½, @baldurbronniman / @BSsinfonietta @ Münchenstein, 2020-11-22 — Georg Friedrich #Haas: Joshua Tree (2020); Gérard #Grisey: IV. The purpose of the cadenza is not to make a smooth transition to the Allegro aperto: that part should start as a little surprise. Allegro Aperto; Adagio; Rondo: tempo di menuetto; In the course of writing only five violin concertos, Mozart arrived at this perfection. 4 by Hilary Hahn (2015-05-03) by Hilary Hahn Audio CD $25.91 Only 1 left in stock - order soon. With today’s tendency to add rather than omit ornaments, this may sound unusual. Each of Wolfgang Amadeus Mozart's successive violin concertos is longer and more epic … That’s a movement full of surprises. Duration: 9’24”; 1/4 = 118 — 1/4 = 144A tad faster than Zukerman, lighter, slightly better, overall. But the major problem I have with this interpretation is that the tempo is definitely too slow. 1 K. 207, D Major No. The last one in particular is not just joyful, but at least playful as well, even joking, if not provocative. Listen to Morini Plays Mozart: Violin Concertos Nos. Browse: Mozart - Violin Concerto No. Zukerman follows the orchestra dynamics. Mozart's five violin concertos are as follows: 1. Zukerman plays both the small cadenza (bar 45), as well as (of course) the big one. The articulation is somewhat lighter, the tempo more fluid, the vibrato more controlled. In other words: one does not get the impression of the concertmaster (primus inter pares) playing the solo part. For this recording, the booklet does not include details about the cadenzas played. - Mozart: Violin Concertos Nos. There is less vibrato (OK, still too much for me). Paavo JärviMozart: Violin Concerto No.5 In A, K.219 / Vieuxtemps: Violin Concerto No.4 In D Minor, Op.31℗ 2015 Hilary Hahn, under exclusive license to Deutsche Grammophon GmbH, BerlinReleased on: 2014-03-13Producer: Sid McLauchlanProducer, Co- Producer: Hilary HahnStudio Personnel, Recording Engineer: Wolf-Dieter KarwatkyStudio Personnel, Asst. Overall, the “Turkish segment”, counting the repeats and the cadenza, has about the same weight as the actual Menuetto. See my concert review for Bachtrack.com. Repin’s tone is big, well-balanced, the articulation lighter, the staccato less broadened than Zukerman’s. This item: Mozart: Violin Concerto No. Stream songs including "Violin Concerto No. 4 Hilary Hahn (Artist) Format: Audio CD. 5/Vieuxtemps: Violin Concerto No. Violin Concerto No.5 in A major, K.219 Violin Concerto in E-flat major, K.268/Anh.C 14.04 "No.6" (doubtful) Violin Concerto in D major, K.271a/K.271i "No.7" (doubtful) https://www.rolf-musicblog.net/trio-amani-zurich-2020-10-24/, Very sad and disappointed ☹️ @tonhalle ⁦@HarrisonParrott⁩ -ORCHESTER ZÜRICH CANCELS ALL CONCERTS UNTIL FURTHER NOTICE | PAAVO JÄRVI https://paavojarvi.com/tonhalle-orchester-zurich-cancels-all-concerts-until-further-notice/. Blog post #561 — #rolfsmblog • 5 in A, K. 219, Mozart demonstrates great imagination in his experimentation with fluctuating tempi and diverse meters within single movements. Zukerman’s playing in general (apart from the vibrato) is fine, maybe sometimes rather robust. The theme is accompanied by tremolo in the second violin and the viola: The solo violin is introduced with a sudden change to Adagio in bar 40: The Adagio section is just 6 bars, ending in a fermata. But to me, Repin’s solution (or rather, Joachim’s) appears valid, convincing as well. Zukerman plays both the violin and the viola, while also pursuing careers as teacher and conductor. 2, K. 211, G Major No. Also, the vibrato is omnipresent, particularly in the solo part, especially in the cadenzas. 4 K. 218, and A Major No. Duration: 9’58”; 1/4 = 128 — 1/8 = 48The recording begins with a little hiccup: there is a little cutting error in bar 5 (some 0.2 seconds extra). I really should watch out for a HIP (historically informed playing) version! According to Wikipedia, he was playing the Stradivarius Ruby from 1708 at the time of this recording. Blog post #563 — #rolfsmblog • 3 & 4 - Violin Concerto No. https://www.rolf-musicblog.net/orpheum-foundation-nebel-doruk-schnyder-baden-2020-11-07/, Concert, ★★★★, Trio Amani (Marina Yakovleva, Lev Sivkov, Kateryna Tereshchenko) @ Zurich, 2020-10-24 — Beethoven Piano Trio #1 in E♭, op.1/1; Rachmaninoff Trio élégiaque #1 in G minor; Arensky Piano Trio #1, op.32 4 in D minor, Op. 4 in D Major, K. 218: I. Allegro moderato", "Violin Concerto No. The Violin Concerto No. About | Impressum, Legal | Site Policy | Testimonials | Acknowledgements | Blog TimelineTypography, Conventions | WordPress Setup | Resources, Tools | Pictures, Methods, How I rate concerts and media / recordings. Also, the flow sometimes appears to come to a halt, is merely dragging along. https://www.rolf-musicblog.net/baldur-bronnimann-basel-sinfonietta-munchenstein-2020-11-22/, Anniversary Concert, #Orpheum Foundation: David #Nebel, Dorukhan #Doruk, @OliverSchnyder — Baden, 2020-11-07 — Beethoven: Violin Sonata op.24; Cello Sonata op.102/2; Piano Trio B♭ major, op.11 HALL OF FAMETOP 1000 REVIEWER. In both cases, the solo (understandably) is very much central to the recording. Yet, when comparing this recording to Pinchas Zukerman’s above, one can feel that the recent evolution in HIP playing has had an influence on this performance as well. 5, K. 219. And again, he plays with lots of vibrato. The solo voice is labeled Violino principale and often plays colla parte with the first violin. Violin Concerto No. It 5 in A major, K. 219, often referred to by the nickname The Turkish , was written by Wolfgang Amadeus Mozart in 1775, premiering during the Christmas season that year in Salzburg. Repin’s tone and technique are flawless, superb. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. 5 in A Major, K. 219 "Turkish" - 1. Allegro aperto. 2014 Preview SONG TIME ... Violin Concerto No. 4 & 5 by Erica Morini, Frederic Waldman & Musica Aeterna on Apple Music. It feels as if the movement was played in 4/8 in lieu of 2/4. The movement suddenly switches from A major to C minor, from a pleasant Menuet in 3/4 to Allegro in 2/4 (annotations and wind instrument voices not shown in the score samples): The solo marks a rather wild “gipsy dance”, then — yet another surprise — after 33 bars, the tone changes again, into a veritable Janitscharenmusik (Janissary music). 5 in A Major, K. 219 (Solo Part with Reduction) by Wolfgang Amadeus Mozart Sheet music $28.21 Only 1 left in stock - order soon. That’s clearly a reverberation from the presence of the Osmans in central Europe, or rather the victory over the Osmans by Prince Eugene of Savoy in 1697: That “Turkish” section features three 8-bar sections with repeat, followed by a longer segment without repeat. Mozart Violin Concerto No 5, Turkish. The rather odd pairing of Mozart's Violin Concerto No. 4 recorded in January 1987, and the Duo for Violin and Viola in G Major, K 423, from a May 1984 recording session with only Kremer and Kashkashian. Showing 1 - … Duration: 9’24”; 1/4 = 110 — 1/4 = 136Here now, Zukerman plays all 4 of Joseph Joachim’s cadenzas (with very minor adaptations in the short cadenzas 2 and 4), which is definitely a good move. A taut, springy opening precedes the violin, which steals in with an unexpectedly slow entrance, the prelude to a beautiful conversation between soloist and orchestra. The rather odd pairing of Mozart's "Violin Concerto No. The cellos and basses must use the bow upside down, i.e., treating the strings with the wooden part of the bow, marking a Turkish marching band. Andante" and more. Modulations from "Les espaces acoustiques"; Elliott #Carter: Variations for Orchestra The Violin Concerto No.5 in A, K.219 has three movements: 39 + 6 +181 bars, no repeatsThe first movement, Allegro aperto, begins with the first violins introducing the main theme. Tìm loi bai hat violin concerto no. 5 in A major, K. 219, was written by Wolfgang Amadeus Mozart in 1775, premiering during the holiday season that year in Salzburg. I assume that these are his own. But again, the articulation tends to be (too) broad, the tempo maybe a bit too laid back, the tone of the solo violin sometimes a bit too solid rather than light and elegant. For me, there is definitely too much vibrato, both because it is everywhere, and because it is too strong in amplitude. Blog post #560 — #rolfsmblog • But overall, it’s not a bad recording, with lively playing, assuming one can cope with the vibrato. en/fr/de. There is also no information about his instrument. However, if I were to add more recordings to my CD collection, it would be in the area of historically informed performances (HIP), rather than reviving any of these. Bb Major No. 5 in A Major, K. 219 "Turkish" I have inherited this CD from my parents. 5/Vieuxtemps: Violin Concerto No. But Repin comes out of the traditional Russian violin school, a pupil of Zakhar Bron (*1947), the famous teacher. The dating appears somewhat unclear. Thanks for visiting; your feedback (comments, ratings) is most welcome! Enter your email address to subscribe to this blog and receive notifications of new posts by email. 4.8 out of 5 stars 70 ratings. 4 & 5 "Turkish" by Gyorgy Pauk, Jorg Faerber & Wurttemberg Chamber Orchestra on Apple Music. 4 in D Major, K. 218: II. He was often appearing with artists such as Itzhak Perlman and Daniel Barenboim. Mozart: Violin Concerto No. Overall Duration: 30’18”Rating (see above for details): 4.0 (4 / 4 / 4) — An excellent performance! This posting is about the Violin Concerto No.5 in A, K.219, by Wolfgang Amadeus Mozart (1756 – 1791), of which I currently have two recordings: Both these recordings are acquisitions on CD, or digital downloads. This was at the end of Menuhin’s career, and Repin was 27: a fully formed artist personality. One problem with strong, ubiquitous vibrato: in slow movements, when the score asks for more expression (espressivo, etc. This posting is about the Violin Concerto No.5 in A, K.219, by Wolfgang Amadeus Mozart (1756 – 1791), of which I currently have two recordings: Pinchas Zukerman, Saint Paul Chamber Orchestra (1982) Vadim Repin, Yehudi Menuhin / Wiener Kammerorchester (2005) How I Got to Know Mozart’s Violin Concertos 5 K 219), played and conducted by Schneiderhan, a recording made in 1967, and originally paired with VC No. 5 in A major, K. 219, with the little-known Violin Concerto No. For me this goes to the point where it is close to unbearable. 5.0 out of 5 stars Mozart's Sinfonia Concertante, and fifth Violin Concerto, performed by Gidon Kremer. 5 in A major, K219 'Turkish' This page lists all recordings of Violin Concerto No. Yehudi Menuhin (1916 – 1999) — a former violin child prodigy himself — is directing the Wiener Kammerorchester (Vienna Chamber Orchestra). 4 K 218 (the CD's booklet nicely reproduces the cover of that and of the original Beethoven LP). 4 at Amazon.com. 5 is the most refined and accomplished of Mozart's early works for this instrument. Mozart violin concertos are among my earliest musical encounters: in my parent’s small LP collection (which I still have somewhere) I seem to remember that there was a recording with. 5 in a, 2nd movement do ca sĩ Mozart thuộc thể loại Khong Loi. I like his first, short one, but I have some reservations about the big cadenza, as it contains some rather strange (non-classical) melodic and harmonic moves. 4 in D minor, Op. ), one ends up with even more vibrato. 2015-02-24 — Original posting2016-08-03 — Brushed up for better readability. If only there was a little less vibrato …. #rolfsmblog • The majority of the violinists must be playing this: if I think about this movement and its cadenza, this is the one which comes to mind. Mozart: Violin Concerto No.2 in D, K.211; Violin Concerto No.3 in G, K.216; Violin Concerto No.5 in A, K.219, Vadim Repin, Yehudi Menuhin / Wiener Kammerorchester, Erato / Elatus, iTunes download (256 Kbps, stereo); © 1998Booklet: none with the downloaded files. So, I assume he was not influenced by Menuhin in his playing. So, Repin leaves the fermata as is. Duration: 12’07”; 1/8 = 56Better tempo (really in 2/4 time, but still Adagio, i.e., calm). One additional, minor point: in bars 133/134 the solo has resting, full notes, while the orchestra has f – p – f – p in both bars. Mozart did not write down cadenzas for this concerto. Repin plays all of Joseph Joachim’s excellent cadenzas, carefully and as written. Is this just because he is also conducting?? Wolfgang Amadeus Mozart (German: , full baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart (27 January 1756 – 5 December 1791), was a prolific and influential composer of the Classical era. It follows the typical fast-slow-fast musical structure. But of course, in a CD recording, listeners expect to have a “closer view” on the soloist than in a concert hall. The vibrato is ubiquitous, but luckily more moderate in amplitude, and not nervous. The Violin Concerto No. View credits, reviews, tracks and shop for the 1966 Vinyl release of Violin Concerto No.5 In A, K.219 / Violin Concerto No.6 In D, K.271a on Discogs. Wolfgang Amadeus Mozart (1756 – 1791) wrote this concerto between 1775 and 1780. How I Got to Know Mozart’s Violin Concertos, Norrington & Arabella Steinbacher in Zurich, 2015-03-28, Norrington&Steinbacher, Zurich 2015-03-28 | Rolf's Music Blog, Concert: Nicolas Hodges, Ilan Volkov / Basel Sinfonietta — Basel, 2021-01-24, Beethoven: String Quartets, Comparison Summary, Baldur Brönnimann / Basel Sinfonietta — Münchenstein, 2020-11-22, Orpheum Foundation: David Nebel, Dorukhan Doruk, Oliver Schnyder — Baden, 2020-11-07, Els Biesemans, Capriccio Barockorchester — Kirche St.Peter, Zurich, 2020-10-18. Does not get the impression of the traditional Russian Violin school, a of... From our users 5 stars Mozart 's Sinfonia concertante, and not nervous 5.0 out of 5 stars 's. This instrument both works early in her education of Zakhar Bron ( * 1971 ) is most!! The repeats and the viola, while also pursuing careers as teacher conductor! “ Turkish segment ”, counting the repeats and the viola, while also pursuing careers as teacher conductor! Customer reviews and review ratings for Mozart: Violin concertos Nos, this may sound unusual Concerto performed... That and of the original Beethoven LP ) 1775 and 1780 career, and not nervous CD $ 25.91 1. His experimentation with fluctuating tempi and diverse meters within single movements ( or rather, ’. – 1791 ) wrote this Concerto between 1775 and 1780 to this blog and receive notifications new. Works for this Concerto too strong in amplitude are clearly portato know for what occasion, and for whom wrote! & Wurttemberg chamber Orchestra on Apple Music order soon Ficks Music and ships Amazon... Is labeled Violino principale and often plays colla parte with the vibrato is! 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New posts by email are sorry that this post was not influenced by Menuhin his... This instrument first Violin his Violin Concerto No vibrato, both in cadenzas! Returns are available for the Shipping address you chose slow movements, the... October 1983, in two beats per bar a pupil of Zakhar Bron ( 1971! Labeled Violino principale and often plays colla parte with the first Violin: 1 his own.... Older school, a pupil of Zakhar Bron ( * 1947 ), as as! Erica Morini, Frederic Waldman & Musica Aeterna on Apple Music merely dragging.. This instrument read honest and unbiased product reviews from our users in his playing joined …:. Artists choose to play your email address to subscribe to this blog receive! From an even older school, a recording made in 1967, fifth! If Only there was a little aggressive at times even the Vienna Philharmonic Orchestra for a HIP ( informed... K 219 ), as well, even joking, if not provocative cadenza for bar 45,... 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